This is an outrage! A shame! A travesty of a mockery of a sham of a mockery of a travesty of two mockeries of a sham.
Which nominations, you ask? ALL OF THEM.
Just kidding. There’s plenty to be outraged about in this year’s Emmy nominations, plenty to be happy about, and a few things worth being puzzled by. Same as it ever was, in other words. So let’s move through my knee-jerk reactions, category by category. Bear in mind that I have a long track record of wrongly picking things I happen to like as winners, so don’t lay down your money based on my gut, please.
This week, Vulture is looking back at the best releases so far in 2017.
In the Peak TV era, it’s easy to feel overwhelmed by the sheer amount of television available. Even when you winnow the options down to the best of the best, as we did below, the shows don’t fit into any one category. They span genre, tone, and style in remarkable ways, from the romantic ennui of Master of Noneto the family comforts of One Day at a Time to the bizarre horror of Twin Peaks: The Return. With that in mind, here are the ten best shows of 2017 so far, as chosen by Jen Chaney and Matt Zoller Seitz.
From the moment it debuted on April 15, 2012, Lena Dunham’s coming-of-age comedy-drama Girls became a crucial fuel source for the internet’s think-piece-industrial complex, and it kept that machine chugging along for six seasons. As the date of Girls’ finale drew nigh, after an arc that saw Dunham’s heroine, writer Hannah Horvath, getting pregnant and deciding to have the baby, a wary consensus settled in: Whether they love-watched or hate-watched Girls, anyone who’d so much as sampled it wanted to see how it would end. Right after the finale, in which Hannah had maturity foisted upon her, the recaps and cultural thumb-suckers began to appear. Everyone had their say. And then: crickets.
Write something about yourself. No need to be fancy, just an overview.